Yin Yang: A Poetry and Prose Anthology
Status: open for submissions 1 July 2016 OR until 70 submissions accepted.
NOTE: Open only to former contributors or someone recommended by a former contributor.
  • Submissions accepted only via on line form (added to this page later). 
  • Submissions accepted from a former contributor or someone recommended by a former contributor.
  • Poetry lines that  exceed 45 letters and spaces will wrap, be indented, and count as two lines.
  • Only one submission per poet/writer.
  • Poem may not exceed 38 lines (includes title author's name and a blank line prior to the poem) short short should not exceed 325 words (bottom line is that the short short must fit on a 5.5"x8.5" page)
  • NOTE: Contributors may purchase the book at a reduced rate upon publication. 
About the Book
About the Contributors


Old Mountain Press  will publish a collection of poetry and short shorts by a number of writers.  Our goal is to gather enough quality poems and short shorts for an estimated 50 to 90 page book with the theme of love or terror.  Works that have conflicting images. Things not as they first appear. Unforeseen/unpredicted twists throughout or at the end.  Would like to have as many writers involved as possible.  Requirements are below. Authors receive publishing credit and retain all rights to their work but agree to the inclusion of their poem in this collection of poetry.
  • Author must have rights to the poem (previously published OK, but not in an OMP anthology). 
  • Poem may not exceed 35 lines  (this includes title, author's name, and any blank lines). Short short may not exceed 280 words (bottom line is that it must all fit on a 5"x8" page). 
  • Poetry lines that  exceed 45 letters and spaces will wrap and count as two lines.
  • Only one poem/short short per writer, so give it your best shot:-)
  • Sample title and first line below
Title of Poem/Short Short
Author's Name
blank line
Begin poem/short short

 ONLY ONE SUBMISSION PER POET/WRITER

Submit Your Work


Publication is dependent on receiving sufficient quality poems/short stories for inclusion in the anthology.
Upcoming Anthologies
Anthologies in Print
The Simbol (Yin-Yang) represents the ancient Chinese understanding of how things work. The outer circle represents “everything”, while the black and white shapes within the circle represent the interaction of two energies, called “yin” (black) and “yang” (white), which cause everything to happen. They are not completely black or white, just as things in life are not completely black or white, and they cannot exist without each other.

While “yin” would be dark, passive, downward, cold, contracting, and weak, “yang” would be bright, active, upward, hot, expanding, and strong. The shape of the yin and yang sections of the symbol, actually gives you a sense of the continual movement of these two energies, yin to yang and yang to yin, causing everything to happen: just as things expand and contract, and temperature changes from hot to cold.

About the book

This collection of poetry and prose that have conflicting images. Things not as they first appear. Unforeseen/unpredicted twists throughout or at the end. SEE SAMPLES BELOW.

 

The Bloody Yawn

Tom Davis

 

THE NIGHT’S HEAT and dampness hung like a shroud. Mosquitoes buzzed. One lit near the tip of his bushy red handlebar moustache. He felt an irritating sting as the vector punctured his camouflage-painted skin, but he could do nothing. He glared into the blackness at the faint movement.

     A guard ambled toward him, weapon slung. This one’s small, he thought, barely shoulder height. But that AK’s a great equalizer.

     McQuid eased the Gerber from its scabbard, the handle settling in his hand. Gotta be quick and quiet—mostly quiet, he thought, as rain drowned the night sounds.

     The guard stopped, then turned from the jungle wall that hid the Irishman. McQuid led with his left foot. His huge hand reached around cupping mouth and nose. He pulled the guard to his chest hyper-extending the throat. In the same instant, he placed the Gerber’s blade over the jugular.

     He felt momentary resistance as serrated teeth tore through skin, vein, and cartilage. After the initial incision, the Gerber sliced efficiently from left to right opening a red quarter moon.

     Air gushed. Sticky spurts soaked McQuid’s sleeve. The coppery smell of fresh blood flooded the air. The guard twisted violently with surprising strength then, in a bubbling wheeze, gave up.

     McQuid dissolved into the jungle with the body, placed it belly down, paused, and listened. The unrelenting rain soaked the foliage. A stench filled his nostrils as the corpse let loose both bowels and bladder. McQuid turned his victim. A bloody yawn drooled.

     At another time and place, he would have called the woman beautiful. But this was not another time or place. This was here and now, and she was dead—very ugly dead.

     A lone mosquito buzzed McQuid’s ear and lit on his neck. He squashed it.

 


Tom Davis' publishing credits include Poets Forum, The Carolina Runner, Triathlon Today, Georgia Athlete, The Fayetteville Observer's Saturday Extra, A Loving Voice Vol. I and II, Special Warfare., and Winston-Salem Writers' POETRY IN PLAIN SIGHT program for May 2013 (poetry month). He's authored the following books: The Life and Times of Rip Jackson, The Most Fun I Ever Had With My Clothes On, The Patrol Order; and The R-complex. Tom lives in Webster, NC.

 

 


 

 

MASKS

     Thomas Rain Crowe

When moon becomes

the mask of the sun

and rocks shed their skin

like snakes

to join in circles and dance.

And water runs uphill

to turn into fire.

How will we sing to the land?

What hidden mercy will have

boarded up our past in dreams?

Seeds buried by soil.

Faces covered by the fingers of negligence.

Our ancient names.


Thomas Rain Crowe is a prize-winning poet and an internationally- published author of thirty books, including the multi-award winning book of nonfiction Zoro’s Field: My Life in the Appalachian Woods (Univ. of Georgia Press, 2005); The Laugharne Poems written in Wales and published by Welsh publisher Carreg Gwalch in 1997; and the classic contemporary Celtic language anthology Writing the Wind: A Celtic Resurgence. As an editor, he has worked with Beatitude magazine, Katuah Journal and the Asheville Poetry Review. He is founder and publisher of New Native Press. His literary archives have been purchased by the Duke University Special Collections Library. He lives in the Tuckasegee community of rural western North Carolina.


About the Contributors 

TBP
 

 



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